Bruce J. Graham, Chicago Architect Who Designed Sears Tower,
Dies at 84
By
William Grimes - New York Times
March 10, 2010
Bruce J. Graham, whose integration of modernist
design and sophisticated engineering in buildings like the John
Hancock Center and the Sears Tower transformed the skyline of
Chicago and reasserted the city’s pre-eminence as a world
architectural capital, died on Saturday at his home in Hobe Sound,
Fla. He was 84.
Mr. Graham’s buildings gave Chicago’s downtown a
strong, vivid profile. Two of his most famous: the Sears Tower (now
the Willis Tower), above, and the John Hancock Center, below.
Scott Olson for The New York Times The John
Hancock Center, designed by Bruce J. Graham, in Chicago.
The cause was complications of Alzheimer’s
disease, said his son, George.
Mr. Graham, an architect with Skidmore, Owings &
Merrill from 1951 until his retirement in 1989, played a determining
role in propelling Chicago forward from the protomodern city created
by Daniel Burnham and Louis Sullivan in the late 19th century. His
most visible legacy is the 100-story Hancock Center on North
Michigan Avenue, completed in 1970, and the 110-story Sears Tower
(now the Willis Tower) on the west side of the Loop, the world’s
tallest building when it was completed in 1974.
“With those two skyscrapers he singlehandedly put
Chicago back on the map,” said Joseph Rosa, the chairman of the
department of architecture and design at the Art Institute of
Chicago. “Without them, Chicago architecture would have been frozen
in time. They expressed the optimism in Chicago and pointed toward
what the future could be.”
Downtown Chicago — the Loop — shows Mr. Graham’s
fingerprints at every turn. His many projects included the
innovative Inland Steel Building (1957), based on an early plan by
his Skidmore colleague Walter Netsch, and the Equitable Building and
Chicago Civic Center (now the Richard J. Daley Center), both
completed in 1965.
In the 1980s, he added to the skyline Three First
National Plaza (1981), Madison Plaza (1982), the three pink-granite
towers of One Magnificent Mile (1983), and the Quaker Tower (1987).
South of the Loop, he designed McCormick Place North (1986), an
extension of the city’s lakefront convention center.
A power broker who had the ear of Chicago’s
business leaders and politicians, Mr. Graham was heavily involved in
drafting the Chicago 21 plan in 1973. It called for the
transformation of Navy Pier into a recreation area, the
straightening of the S curve on Lake Shore Drive and an additional
rerouting of the drive to free up land for the Chicago Museum
Campus, a 57-acre setting of terraced gardens and walkways for the
Adler Planetarium, the Shedd Aquarium and the Field Museum. All are
defining features of the city today.
Mr. Graham also designed buildings across the
United States and in Hong Kong; Cairo; Barcelona, Spain; Seoul,
South Korea; and elsewhere abroad. In London, he led the Skidmore
team that drafted the master plan for Canary Wharf in the Docklands
district and presided over the design of Broadgate, a mixed-use
development near Liverpool Street Station.
His signature buildings, bold and muscular
interpretations of the Miesian glass box, gave Chicago’s downtown
the strong, Barrymore-like profile with which it faces the world.
Buildings, he said in a 1997 interview for an oral history project
at the Art Institute of Chicago, should be “clear, free of fashion
and simple statements of the truth.”
Bruce John Graham was born on Dec. 1, 1925, in La
Cumbre, a small town outside Cali, Colombia. His father, an
international banker born in Canada, traveled widely. Within a few
years the family settled in San Juan, P.R., where Bruce grew up and
made a hobby of mapping the city’s slum neighborhoods.
At 15 he won a scholarship to the University of
Dayton in Ohio to study engineering. It was not until he traveled to
the United States, he once said, that he first saw a building over
10 stories tall.
In 1943 he enlisted in the Navy and, after
training as a civil engineer and a radar technician, served in the
Philippines. On returning from military service he enrolled in the
University of Pennsylvania, where he earned a degree in architecture
in 1948.
On graduating, he moved to Chicago and sought out
Mies van der Rohe, who sent him to Holabird, Root & Burgee. There he
learned to make working drawings and, after two years, joined
Skidmore, Owings & Merrill, a firm on the rise, where he was made a
design partner in 1960.
Mr. Graham’s engineering bent found expression not
only in his buildings. “He redefined how an architectural studio
operates,” Mr. Rosa of the Art Institute said. “He allowed
architects and engineers to have an equal voice, and this led to
innovations.”
With Fazlur Khan, Skidmore’s chief structural
engineer, he came up with ways to maximize office space at minimal
cost. The signature X braces and exterior columns of the Hancock
Building, like the exterior stainless-steel columns of the Inland
Steel Building, freed up interior space and lowered costs. The Sears
Tower, renamed the Willis Tower in 2009, consists of nine mutually
supporting square tubes, staggered in height, allowing two towers to
rise the final 20 stories of the 110-story building.
In 1999 the Hancock Building was awarded the
American Institute of Architects’ 25 Year Award, given to buildings
“of enduring significance” between 25 and 35 years old.
“In the heartland we believe in a direct
relationship between work and thought,” he told The New York Times
in 1976. “We make real buildings; we are not abstract about life, as
they are in New York.”
Mr. Graham thought big, but one of his grandest
schemes came to naught. In 1980 he sat down with a team of
architects to draft a plan for a 1992 World’s Fair in Chicago to
match the visionary fairs of 1893 and 1933, both of which altered
the cityscape by creating parks and public buildings. The plan
called for a series of exhibition buildings to be constructed on the
near South Side and 500 acres of lagoons and islands to be reclaimed
from Lake Michigan.
With the city’s economy and government in
disarray, and many community groups opposed, the project withered
and finally died in 1985.
In 1989 Mr. Graham retired from Skidmore and
opened the firm of Graham & Graham with his second wife, the former
Jane Abend, who ran the interiors department at Skidmore. She died
in 2004.
In addition to his son, George, of Manhattan, Mr.
Graham is survived by a sister, Margaret Graham Lewis of Gibson
Island, Md.; two daughters, Lisa Graham Langlade-Demoyen of Paris
and Mara Graham Dworsky of Altadena, Calif.; and six grandchildren.
“When I was a child, my dream was to build
cities,” Mr. Graham told the interviewer from the Art Institute in
1997. He was asked if that was real or a child’s fantasy. “It grew
into less than a fantasy,” he said.